DanceVisions, Inc. is a non-profit 501(c)(3) corporation co-founded by Margot Parsons in 1982. It has presented her work over the years and for seven years produced the highly acclaimed Dance on the Top Floor, an evening of dance featuring renowned ballet choreographers from Boston, Chicago, New York, Pennsylvania, and other states, and for nine years produced Dancers at the Robsham, involving modern and ballet choreographers, dancers, and musicians from the Boston area.
As DanceVisions, Inc. enters its 38th year, the Company continues to carry out its mission.
DanceVisions, Inc. is committed to producing original ballet-based choreography, to introducing audiences to established and new choreographers, and to providing performance opportunities to dancers and to collaborating with musicians and visual artists.
Artistic Director and Choreographer
Margot Parsons, choreographer and currently instructor of ballet at Boston University, Boston College, and The Dance Complex and previously for thirteen years at Harvard University, has presented over one hundred pieces of choreography. Her past teaching includes The New School for Social Research in New York, Hunter College (NY), The Spence School (NY), Ethical Culture School (NY), The Cambridge School of Weston (MA), Dean College (MA), Suffolk University, The Walnut Hill School of Performing Arts (MA), Bradford College (MA) where she initiated the dance major program, and at Boston Ballet, Ballet Theater of Boston, and New England Movement Arts where she is a substitute teacher. As well, she teaches students privately. Her early training in ballet was in Chicago with Richard Ellis and Christine Douboulay and with Eric Braun and Phyllis Sabold and later in New York with Maggie Black, Richard Thomas and Barbara Fallis, and the Harkness School and in modern at the Graham Studio and in choreography with Anna Sokolow and Bessie Schoenberg. Along with being invited to dance with Agnes de Mille and Pearl Lang, she performed with numerous companies including Choreoconcerts, Larry Richardson, Yuriko, The Ballet Ensemble of New York, in the City Center production of the “King and I,” and in Boston with Dorothy Hershkowitz, Ken Pierce Baroque Dance Company, and with the original cast of “A Dancer’s Christmas,” created and directed by Father Robert VerEecke. Her choreography has been staged on many companies including her own company, DanceVisions, Inc.; the Ballet Repertory class at Boston University; Boston College student and Faculty shows; Wellesley College students; Across the Ages Dance; Boston Ballet II; and BalleyNY. As a producer, she is founder of "Dancers at the Robsham," a highly acclaimed dance event that for nine years featured Boston choreographers, and co-founder of "Dance on the Top Floor," a highly acclaimed event that for seven years featured choreographers from around the country. In 1999 she was awarded the Dance Belt for her contribution to dance in Boston. She appeared on TV in 2007, in the Boston Cable TV show “To the Pointe” and she appears in the forthcoming movie “Legacies in Dance.” She continues to teach, choreograph, and present evening-long concerts of her work. She has collaborated with visual and sound designer Andreas Randow, lighting designer Lynda Rieman, and choreographer Lynn Modell. Over the years she has worked with several composers who have created original musical scores for her choreography: David Polan, Gregor Loepfe, Michael Orsello, Robin Cho and Ai Isshiki. She has a BS from the University of Wisconsin and a MA with honors from the University of Utah.
Marin Orlosky-Randow (Assistant Artistic Director and Dancer)
Marin Orlosky-Randow holds a BA in English and a Secondary Field in Dramatic Arts from Harvard University. Her dance training includes the Joffrey Ballet School, The Ailey School, Trapeze School New York, and New York Circus Arts Academy where she trained with Cirque du Soleil's Ivo Georgiev and Russian Master of Sport Acrobatics Amram Linkov, among others. At Harvard, she performed with and choreographed for Harvard's Dance Program, student dance companies, and numerous dance-theater productions. Works performed include Jose Limon's Choreographic Offering, Martha Graham's Heretic and Night Journey, plus original works by Ariel Bonilla, Jeff Shade, Michael Foley, Scott Rink, Jodi Leigh Allen, and Elizabeth Bergmann. She has performed, choreographed, and taught aerial silks, partner acrobatics, and contortion since 2006. She has taught for Cambridge Rindge & Latin School, the Bethezer Group (Nairobi, Kenya), Berklee College of Music, American College Dance Festival (ACDFA), and Harvard University. She currently teaches aerial silks and Pilates at Boston University and modern/contemporary dance and partnering techniques at the A.R.T./MXAT Institute for Advanced Theater Training, and is an aerial dance consultant for Yale University's Theater Department. Recent performance projects include Trisha Brown's installation work Floor of the Forest as part of the Boston ICA's Dance/Draw exhibition; Across the Ages Dance Project, an inter-generational modern dance collective; immersive theater performances directed by Giselle Ty, including All At Once Upon a Time, commissioned by the Peabody Essex Museum in Salem, MA; and an ongoing series of collaborations with composer/violinist Abby Swidler. She is Assistant Artistic Director of DanceVisions, Inc., where she has performed since 2011.
Heather Eliot began her training in Massachusetts at Amherst Ballet and went on to train at Walnut Hill School for the Arts Conservatory, Acton School of Ballet, and the Brookline Ballet School. She danced for a year with the US International Ballet while teaching at the Wilmington School of Ballet in North Carolina. Last year she performed with Jose Mateo Ballet Theatre in The Nutcracker. Currently she is dancing for her first year with Dance Visions, Inc.
Bona Lee started dancing at the age of three as an afterschool activity at her local Korean school. In fourth grade, she decided she wanted to dance more seriously, so she enrolled in Boston Ballet School’s Classical Ballet program. During her time training in the Classical Ballet program, she performed in The Nutcracker and Snow White and the Seven Dwarfs. At the age of thirteen, she was accepted into Boston Ballet’s Pre-Professional program and performed in The Nutcracker, La Bayadere, excerpts from Konservatoriet, and the annual spring showcase, Next Generation. She also received training from summer intensives at Boston Ballet and Joffrey Ballet. During her last year at Boston Ballet in 2015, she received trainee positions from Orlando Ballet School and Joffrey Ballet New York, however, she decided to continue her academic education at Boston University where she received her B.S in Human Physiology and a minor in psychology. During her time at BU, she performed with the Dance Theater Group and continued her ballet training with Margot Parsons. Additionally, she co-choreographed and performed an original piece, Home Sweet Home, for the World Soldier & Youth Unification Security Vision Presentation Contest in 2016. She and her team placed first in Boston and were flown to South Korea to compete against other teams of Koreans from all over the world. She and her team also performed Home Sweet Home at Harvard University in 2018 in an event called Voices of North Korean Refugees.
Christine McDowell holds her MFA in Performance and Choreography from Tisch School of the Arts at NYU and her BA in History from BU. She received her early dance training from Mark and Melissa Roxey at the Mill Ballet School in Lambertville, NJ. As an undergraduate, she choreographed and performed with BU’s Dance Theatre Group, and performed with Tony Williams and Margot Parsons. At Tisch, Christine choreographed and studied under Deborah Jowitt, Phyllis Lamhut, worked with Patricia Beaman as the Dance History graduate assistant, and performed works by Mark Morris and Alex Ketley. Currently, she teaches ballet at BU, BC, and Jose Mateo Ballet Theater, and works for a San Diego-based software company.
Katelyn McMahon has been studying classical ballet since the age of three at various local studios, eventually moving on to the Academy of Ballet Arts under the direction and instruction of Judith Koeckhoven. She continued to study the Balanchine method at Ballet Workshop of New England, also performing with the Massachusetts Youth Ballet, where she was able to study under great names such as Jacqueline Cronsberg and Adam Luders. She then went on to study ballet and contemporary dance at the University of Hawai'i, ultimately returning home to the east coast to pursue her graduate degree in physical therapy with a focus on dance medicine. After returning to the stage with the New England Civic Ballet Company, where she held soloist and principle roles in various productions, she joined DanceVisions in December of 2013.
Kate received her early dance training from Arlington Center for Dance (now BalletNova) in Arlington, VA. There she performed principal roles in ballets such as Paquita, The Nutcracker, Pas de Quatre, and Don Quixote, and was selected for the Dance Theatre of Harlem Residency Program, the Kennedy Center Master Class Series, and Exploring Ballet with Suzanne Farrell. She attended and graduated from Harvard College, where she worked with Heather Watts and Damian Woetzel, performing ballets such as George Balanchine’s The Four Temperaments, Serenade, and Who Cares? She also works with Tai Jimenez, and has performed work in the Boston area with Boston Baroque, the Boston Tap Company, Kat Nasti, and Janelle Gilchrist, among others. She spent several years dancing principal roles in Tony Williams's Urban Nutcracker, and recently made her musical theater debut in The Boys from Syracuse with Commonwealth Shakespeare Company and Landmarks Orchestra. She is also on the faculty of Harvard University’s Department of Mathematics.
A native of Tokyo, Japan, Amane began her early training with Mitsuyo Kishibe. At the age of 13, she moved to England and studied ballet with Desmond Kelly at Elmhurst School of Dance, in association with Birmingham Royal Ballet, followed by Central School of Ballet under the direction of Sara Matthews. In 2013, Amane received her bachelor’s degree in Professional Dance and Performing Studies from University of Kent. She has danced with professional dance companies; Eugene Ballet Company, Ballet Tucson, Arizona and A&A ballet in Chicago. In Boston area, she has worked with Margot Parsons, Tony Williams, Gino Di Marco, Janelle Gilchrist, and David Sun. She started dancing with City Ballet of Boston this September.
Ashley Zhang is from Shenzhen, China. She graduated from Boston College with honors in Economics and a minor in Mathematics, and is currently in dental school at Boston University. Ashley is committed to have ballet as a part of her life. Currently, she takes class in Jose Mateo Ballet Theater, and with Margot at the Dance Complex. She has attended summer intensive programs with Jose Mateo Ballet Theater, Orlando Ballet, American Ballet Theater and Burklyn Ballet.
Pianist and improvisor/composer, Ai specializes in providing music for ballet, modern, and contemporary dance classes and performances. She currently plays for the Juilliard School, New York University’s Tisch School of Arts, the Mark Morris Dance Group, and for children at the Brooklyn Waldorf School in their Eurythmy program. Ai has also worked with Alvin Ailey American Dance Theater, Bill T. Jones/Arnie Zane Dance Company, David Dorfman Dance, Boston Ballet, Ballet Arts, Barnard College, Dance New Amsterdam, Gibney Dance, Green Street Studios, Ballet Rox, Boston College, Jose Mateo Ballet Theatre, and many more. She frequently appears in theater/film productions, chamber orchestra, new/experimental music concerts, and rock/pop bands. Her original compositions are often written for and found in close collaboration with dances, conceptual performances, and various medias. She received BM in Film Scoring and Composition from Berklee College of Music. A collaborative recording with a poet is expected to be released later this year.
Steve Milton is an award-winning creative director, brand strategist and entrepreneur. He is the co-founder of Listen, a NYC based agency working with companies and artists to build deep relationships with their audiences. Milton has helped launch, grow, and reposition some of the world’s leading products and brands including Microsoft, Tinder, Virgin, HoloLens and Jim Beam.
Milton’s sensory-driven approach to brand has been featured in Fast Company, Wired and The Verge, as well as SXSW and CMJ where he has led industry panels on creative collaboration, interactive design and the future of music, art and technology. His work helps audiences understand the profound emotional connection we have with sound and music, and how it helps us relate to products, brands, innovation, and the world around us.
As a performer, Milton has toured internationally, making numerous television appearances and his music has been recognized by Rolling Stone, Pitchfork, and others. He has collaborated with a number of musicians and artists around the globe to create immersive experiences that bring new life and dimension to their art.
Milton earned a Master’s degree in Musicology from the New England Conservatory of Music, where he studied postmodern theory and new media. He is a mentor at the New Museum’s incubator program, NEW INC, and he sits on Grammy nominated ensemble A Far Cry's Board of Friends.
DanceVisions, Inc. is a 5(C)301 non-profit corporation.
You can reach Margot Parsons at